COLORS OF THE
TIDE
By Mary Swift
My first dramatic recognition of tidal effect was
in 1980, watching a 50’ race boat, in town for the Big Boat
Series, trying to get by Pier 39 heading to South Beach Harbor. It
had a tall mast, over 65’, with Spinnaker, Blooper, winged out
main, crew positioned to maximize air flow, and yet it was going
backwards, slow but steadily being pulled toward the Golden Gate.
That was an impressive amount of sail power all drawing and full,
still the boat could not make “head way”. It could not go
forward against the San Francisco Bay tidal forces. A boat out away
from the shore in the middle of the channel was going by this big
boat with only basic white sails up. We looked, as did those aboard
the big racer, and nope, no engine. So how did that work? Tides and
the current that move them.
The San Francisco Bay Model, in Sausalito, helped me understand
these forces. The Army Corp of Engineers, who run it, emptied then
refilled the model then set in motion a mock tidal cycle
strategically dropping in dyes to simulate an oil spill for disaster
recovery planning. It was great to walk around the acre and a half
model of the three major bays that link together to form San
Francisco Bay waters. Seeing the Bay without water added to help to
make sense of why some places have stronger current than other
places just a few feet away.
You can see these forces at work. Color, lines and surface texture
are three key indications. Let’s first look at color.
Blue-green in the Central Bay indicates the flood of incoming ocean
water. The tan-gray color is caused by silt in the water stirred by
the inland waters pushing their way to sea. Have you ever noticed,
when near a tidal area shoreline, perhaps crossing a bridge or
riding a ferry, large areas of two colors pushing each other
separated by a white line? That’s where a flood is meeting an ebb.
New tide pushes in through the Golden Gate, acting against all the
Northern California streams and rivers combined.
Have you ever seen spots of color popping up in the middle of an
expanse of another color? Tides flow in and out of the Golden Gate
but they also start in estuaries and mud flats because of the effect
of the moon. The first few inches trickle down from shore to the
deeper water. Then, successively, the first foot of water, then two
feet of water, and so on, builds on the one before.
In the Central Bay the average depth is 15 feet and yet there are
spots that range from 1 foot by Berkeley to 300 feet under the GG
Bridge around Angel and Alcatraz Islands it is 90 to 125 feet deep.
Deeper sections take longer to turn the tide. In an area of uneven
depth. like the area between Richmond and Marin south of the
Richmond/San Rafael Bridge, sometimes the water looks like a
Dalmatian dog with spots of tan-gray showing through the blue/green.
Out for a sail this Opening Day, there were color bands reaching
toward the shore of the blue-green ocean waters. In the deeper
sections there were stripes of tan-gray mixed between bans of
blue-green. All along the shore of the Islands Angel and Alcatraz
was tan-gray and out toward the city was a large expanse of
blue-green.
Lines and texture tell the story of San Francisco Bay at work. Next
time: the “Zen of Current”